{"title":"ORIGINAL \/ FRAMED","description":"","products":[{"product_id":"everybody-dance-150","title":"Everybody Dance Hand Pulled Screenprint print","description":"\u003cp\u003eSeven layers of pure disco energy. This piece captures that moment when the bass drops and the floor comes alive — when Chic hits the speakers and every body moves as one. The kind of moment that made Paradise Garage legendary and Studio 54 electric.\u003c\/p\u003e\u003cp\u003eEach layer pulled by hand through mesh, building the typography letter by letter. No digital shortcuts. No vector files. Just squeegee, ink, and muscle memory from twenty years of tearing the rulebook apart. The registration has to be perfect — disco demands precision.\u003c\/p\u003e\u003cp\u003eThe colours hit like a strobe light. Bold enough to command attention from across the room, vibrant enough to make you want to move. This isn't wallpaper. It's a statement. A reminder that sometimes the best response to life is to dance.\u003c\/p\u003e\u003cp\u003e415 x 415mm square format — built for impact. Seven colour layers create depth you can't get any other way. Each print signed and embossed in the Kimpton studio where it was made. Edition of 40 means when they're gone, they're gone.\u003c\/p\u003e\u003cp\u003eSold unframed and shipped in a sturdy tube with acid-free tissue. No gallery markup. No middleman. Direct from the person who pulled every print.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e 7-layer hand-pulled screenprint, 415 x 415mm. Limited edition of 40, signed and embossed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCare:\u003c\/strong\u003e Keep away from direct sunlight and moisture. Frame with UV-protective glass for longevity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShipping:\u003c\/strong\u003e Wrapped in acid-free tissue, shipped in protective tube. 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What started as cellophane wrapping paper becomes something that looks like it crawled out of another planet.\u003c\/p\u003e\u003cp\u003eThis is the HEX series — abstract forms that shift between alien organisms and impossible landscapes. Five layers of screenprint on actual copper, not paper that looks like copper. Real metal that ages and oxidises over time, meaning your piece will change as you live with it. No two copper prints age the same way. The patina develops its own character.\u003c\/p\u003e\u003cp\u003eThe process here matters. I spray-painted cellophane to create these forms — the randomness of the spray meeting the reflection and transparency of the material. Then photographed them, turned them into screens, and pulled them by hand onto oxidised copper sheets. Five layers building up these otherworldly shapes in CMYK.\u003c\/p\u003e\u003cp\u003eThis series exists in multiple forms. The copper editions are the originals — only 5 exist of each variant, pulled onto actual metal. There are also paper editions in different colourways for collectors who want the image without the metal. Each version has its own character. The copper catches light differently. The paper versions let the colour breathe.\u003c\/p\u003e\u003cp\u003eThe copper matters here because it's alive. It responds to humidity, to touch, to time. Gallery pieces sit behind glass forever unchanged. These prints are meant to be lived with. The metal will develop its own story alongside yours.\u003c\/p\u003e\u003cp\u003eI've been pulling screens for 20 years just to tear apart everything I learned. This is what that looks like — taking something as ordinary as sweet wrapping and turning it into something that feels like it came from somewhere else entirely. The kind of work you can't make in committee or by following a brief.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable variants:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHEX2 Copper \u0026amp; HEX3 Copper — oxidised copper editions (£450 each)\u003c\/li\u003e\n\u003cli\u003eHEX Green Print \u0026amp; HEX Blue Print — paper editions in different colourways (£150 \u0026amp; £120)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-layer hand-pulled screenprint\u003c\/li\u003e\n\u003cli\u003eEdition of 5 on oxidised copper (copper variants)\u003c\/li\u003e\n\u003cli\u003e430 x 530mm\u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003cli\u003eMade in Kimpton, 2024\u003c\/li\u003e\n\u003cli\u003eSold unframed\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis is for collectors who understand that prints don't have to behave. For people who want work that changes over time rather than staying frozen behind glass. For anyone who's ever looked at something ordinary and seen something alien staring back.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"HEX2 Copper","offer_id":48660519780545,"sku":"OLI-071","price":450.0,"currency_code":"GBP","in_stock":true},{"title":"HEX3 Copper","offer_id":56532050018690,"sku":"OLI-070","price":450.0,"currency_code":"GBP","in_stock":true},{"title":"HEX Green Print","offer_id":56532050051458,"sku":"OLI-209","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"HEX Blue Print","offer_id":56532050084226,"sku":"OLI-210","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/hex2-oxidised-copper-screenprint-4020239.jpg?v=1775415184"},{"product_id":"just-handpulled-screenprint-in-fluro-pink-and-metallic-leaf","title":"JusT — Hand Pulled Screenprint","description":"\u003cp\u003eOne word. Four letters. Everything you need to say.\u003c\/p\u003e\u003cp\u003eJusT started as a protest against complexity. Against the endless explanations artists feel they owe. Against the need to justify every mark, every choice, every breath. Sometimes the most powerful statement is the simplest one.\u003c\/p\u003e\u003cp\u003eThe fluorescent pink hits you first — that electric shock of colour that demands attention without asking permission. It's the kind of pink that makes people stop mid-conversation. The kind that burns itself into your retina and stays there hours later.\u003c\/p\u003e\u003cp\u003eOn the metallic leaf version, gold catches the light and throws it back transformed. The contrast shouldn't work — that screaming pink against precious metal — but it does. It works because it's honest about what it is. No apologies. No explanations.\u003c\/p\u003e\u003cp\u003eThis is hand-pulled screenprinting stripped back to its essence. No fancy registration tricks. No seven-layer colour builds. Just ink, mesh, and the kind of directness that cuts through noise. Each pull is slightly different — the nature of the process, the nature of making things by hand in a village studio where perfection isn't the point.\u003c\/p\u003e\u003cp\u003eThe word itself sits heavy on the 320gsm paper. Not centred, not perfectly aligned, not asking to be pretty. It's positioned where it needs to be, the way it needs to be. The typography carries weight — literally and figuratively. This isn't decorative text. It's a statement that happens to be made with letters.\u003c\/p\u003e\u003cp\u003eAvailable in straight fluorescent pink for those who like their statements clean, or with metallic leaf for those who want that extra kick of light. Both versions carry the same message. Both versions mean business.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHand-pulled screenprint with fluorescent pink ink\u003c\/li\u003e\n\u003cli\u003eA3 420 x 297mm\u003c\/li\u003e\n\u003cli\u003e320gsm paper\u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003cli\u003eChoice of fluorescent pink or fluorescent pink with metallic leaf\u003c\/li\u003e\n\u003cli\u003eFramed option available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eShipping:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWrapped in acid-free tissue and shipped in a cardboard tube.\u003c\/p\u003e\u003cp\u003eFor anyone who's tired of explaining themselves. For spaces that need a statement that doesn't need translation. For people who understand that sometimes the simplest things are the hardest to get right.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Fluro Pink \u0026 Metallic","offer_id":55062928654722,"sku":"OLI-065","price":80.0,"currency_code":"GBP","in_stock":true},{"title":"Fluro Pink","offer_id":55062928687490,"sku":"OLI-231","price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Framed","offer_id":56532050215298,"sku":"OLI-146","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/just-fluro-pink-framed-2565835_665f8d6d-20f5-4dff-895b-137e21a99d39.jpg?v=1775415226"},{"product_id":"disco25","title":"DISCO25 — Hand Pulled Screenprint","description":"\u003cp\u003ePulled from a 1970s typography book, then pushed through seven layers of ink until it screamed disco. This is what happens when you take forgotten lettering and drag it through Paradise Garage at 3am.\u003c\/p\u003e\u003cp\u003eThe fluorescent orange hits differently under gallery lights — proper Saturday Night Fever glow. But it's the layering that does the work here. Seven passes through the squeegee, each one building the typography until it has that proper Studio 54 punch. The kind of lettering that belonged on 12-inch sleeves and club flyers, now pulled by hand on heavyweight paper in a Hertfordshire village studio.\u003c\/p\u003e\u003cp\u003eThis isn't nostalgic disco revival. It's disco energy filtered through screenprint process — the repetition, the rhythm, the build-up. Each layer adds weight until the type feels like it could bounce off the paper. The fluorescent ink does what disco always did: refuses to be ignored, demands the room's attention, makes everything else look understated.\u003c\/p\u003e\u003cp\u003eThree expressions available. The fluro orange is pure disco heat — Chic at full volume. The yellow brings sunrise-after-the-party energy, framed and ready to hang. The green shifts the whole thing sideways, same disco bones but cooler, more controlled, also framed.\u003c\/p\u003e\u003cp\u003eSame typography book source. Same seven-layer build. Different colour stories, different energies. All hand-pulled on 400gsm Munken Smooth, signed and embossed. Edition of 40 across all variants.\u003c\/p\u003e\u003cp\u003eThe paper takes the fluorescent ink cleanly — no bleed, no compromise. B2 format gives the typography room to breathe, space to build that proper disco presence. Shipped in tubes, sold unframed except where noted.\u003c\/p\u003e\u003cp\u003eThis is for spaces that understand music matters. Not background decoration — foreground energy. For people who know the difference between disco and everything that came after. For walls that can handle seven layers of Saturday night pulled by hand in 2024.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Fluro Orange","offer_id":55062932783490,"sku":"OLI-064","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"Yellow Framed","offer_id":56527616377218,"sku":"OLI-147","price":250.0,"currency_code":"GBP","in_stock":true},{"title":"Green Framed","offer_id":56527616409986,"sku":"OLI-148","price":175.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/disco25-yellow-frame-5790632_a54cb21b-eaa2-4a1f-a093-d79b6ab35b37.jpg?v=1775224654"},{"product_id":"u-love-it-hand-pulled-screenprint","title":"U Love It — Hand Pulled Screenprint","description":"\u003cp\u003eWhen Letraset ruled the world and designers spent hours rubbing down letters one by one, typography had weight. Physical presence. Every curve mattered because every curve cost time.\u003c\/p\u003e\u003cp\u003eThis piece goes back to that era — not nostalgically, but technically. Bold sans-serif letters that demand attention, built through five layers of CMYK dither screenprint with a coral red spot colour that cuts through the digital noise.\u003c\/p\u003e\u003cp\u003eThe dither technique breaks everything down to dots. Like newspaper printing, but deliberate. Controlled. Each layer of cyan, magenta, yellow, and black gets pulled by hand, building up the image dot by dot. Then the coral red comes over the top — warm, confident, unapologetic.\u003c\/p\u003e\u003cp\u003eTypography as statement. Before computers made every font free and every layout instant, letters had to earn their space. This piece remembers that weight. The coral red isn't decoration — it's the voice getting louder, the message getting clearer.\u003c\/p\u003e\u003cp\u003eFive screenprinting layers means five separate squeegee pulls. Five opportunities for the ink to sit slightly differently, for the registration to shift by a fraction, for the human hand to leave its mark. The CMYK dither creates texture you can feel — raised ink, paper grain, the slight variations that make each print unique within the edition of 40.\u003c\/p\u003e\u003cp\u003ePrinted on 400gsm Munken smooth paper because the surface matters. Too rough and the dots blur together. Too slick and the ink sits flat. This paper lets each layer breathe while holding crisp edges on the typography.\u003c\/p\u003e\u003cp\u003eThe title says it all. Confident. Direct. No ambiguity. In a world of algorithm-driven design and AI-generated everything, hand-pulled typography becomes a statement. Each print signed and embossed because provenance matters when the human hand is the point.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-layer CMYK dither screenprint with coral red spot colour\u003c\/li\u003e\n\u003cli\u003eLimited edition of 40\u003c\/li\u003e\n\u003cli\u003eB2 500 x 700mm\u003c\/li\u003e\n\u003cli\u003e400gsm Munken smooth paper\u003c\/li\u003e\n\u003cli\u003eSigned and embossed\u003c\/li\u003e\n\u003cli\u003eAvailable unframed or framed\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eShipping:\u003c\/strong\u003e Wrapped in acid-free tissue and shipped in a cardboard tube with a certificate of authenticity.\u003c\/p\u003e\u003cp\u003eThis is for people who remember when design took time. Who understand that the best typography isn't about the latest font — it's about commitment to the letters themselves. For walls that need confidence, not decoration.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Unframed","offer_id":55062798336386,"sku":"OLI-063","price":175.0,"currency_code":"GBP","in_stock":true},{"title":"Framed","offer_id":56532051427714,"sku":"OLI-149","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/u-luv-it-framed-3723261_77d7dabb-e2d9-4105-8c70-f7079ba2beb8.jpg?v=1775415364"},{"product_id":"hexa1-original-framed-oxidised-copper-artwork","title":"HEXA Original Framed Oxidised Copper Artwork","description":"\u003cp\u003eFound cellophane in the studio. Started cutting it up, watching how the folds caught light. Sprayed through it onto copper sheets I'd been oxidising for months.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHEXA1\u003c\/strong\u003e - Large original framed oxidised copper artwork. Abstract shapes created from cellophane plastic, spray painted and printed onto oxidised copper. First in the HEXA series.\u003c\/p\u003e\u003cp\u003eThe copper changes everything. Where paper absorbs ink uniformly, oxidised copper fights back. The patina creates texture you can't predict or control. Some areas drink the spray paint deep into the surface pitting. Others repel it entirely. The cellophane stencils leave sharp geometric breaks against these organic, corroded landscapes.\u003c\/p\u003e\u003cp\u003eEach piece in the HEXA series uses the same process but no two look alike. The copper oxidation varies across every sheet. Different humidity when I sprayed. Different pressure through the stencils. The metal ages differently in each frame - some areas will continue darkening over years, others stay fixed.\u003c\/p\u003e\u003cp\u003eThis isn't printmaking in any traditional sense. No screens. No squeegees. No editioning. Just spray paint, plastic stencils, and copper that's been weathering in the Hertfordshire studio for the better part of a year. The geometric forms feel almost digital against the organic decay of the metal surface.\u003c\/p\u003e\u003cp\u003eThe scale matters here. At 670x990mm, these aren't intimate pieces. They're architectural. The hexagonal forms reference everything from molecular structures to alien landscapes, but really they're about the contrast between the manufactured perfection of the cellophane cuts and the chaotic beauty of oxidised metal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOriginal artwork printed on oxidised copper\u003c\/li\u003e\n\u003cli\u003eOne-off piece\u003c\/li\u003e\n\u003cli\u003e680 x 1010mm (framed)\u003c\/li\u003e\n\u003cli\u003eSigned on reverse\u003c\/li\u003e\n\u003cli\u003eReady to hang\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eEight pieces exist in total. Each one a different conversation between the same stencils and different patches of weathered copper. Choose your variant from the dropdown - or get in touch to arrange viewing if you want to see how the patina varies between pieces.\u003c\/p\u003e\u003cp\u003eThis is for collectors who understand that the most interesting work happens at the edges of technique. Where traditional processes break down and something else emerges.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShipping:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eShipped in archival acid-free tissue and padded box. Extra shipping charges apply due to size. Contact to arrange viewing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFAQ\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQ: Is this framed?\u003c\/strong\u003e\u003cbr\u003eA: Yes, framed and ready to hang.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQ: How do I care for it?\u003c\/strong\u003e\u003cbr\u003eA: Keep away from direct sunlight and moisture.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQ: Is this a limited edition?\u003c\/strong\u003e\u003cbr\u003eA: No - this is a one-off original. Only one exists.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQ: What size is it?\u003c\/strong\u003e\u003cbr\u003eA: 680 x 1010mm (about 26.8 x 39.8 inches) framed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQ: Can I view it first?\u003c\/strong\u003e\u003cbr\u003eA: Yes, please get in touch to arrange viewing.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"HEXA1","offer_id":55186896191874,"sku":"OLI-056","price":2000.0,"currency_code":"GBP","in_stock":false},{"title":"HEXA2","offer_id":56527615984002,"sku":"OLI-050","price":2000.0,"currency_code":"GBP","in_stock":true},{"title":"HEXA3","offer_id":56527616016770,"sku":"OLI-049","price":2000.0,"currency_code":"GBP","in_stock":false},{"title":"HEXA4","offer_id":56527616049538,"sku":"OLI-048","price":2000.0,"currency_code":"GBP","in_stock":false},{"title":"HEXA5","offer_id":56527616082306,"sku":"OLI-047","price":2000.0,"currency_code":"GBP","in_stock":true},{"title":"HEXA6","offer_id":56527616115074,"sku":"OLI-046","price":2000.0,"currency_code":"GBP","in_stock":true},{"title":"HEXA7","offer_id":56527616147842,"sku":"OLI-045","price":2000.0,"currency_code":"GBP","in_stock":false},{"title":"HEXA8","offer_id":56527616180610,"sku":"OLI-044","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/hexa1-original-framed-oxidised-copper-artwork-8270461.jpg?v=1775224636"},{"product_id":"jacky-hand-pulled-screenprint","title":"Jacky — Original Hand Pulled Screenprint","description":"\u003cp\u003eFound this buried in a stack from 2019. Acetone and four layers of screenprint on Somerset Satin. Only made a few.\u003c\/p\u003e\n\u003cp\u003eThe acetone went down first — aggressive, dissolving, eating into the paper fibres before the ink could settle. Then four careful passes of screenprint over the top. Each layer building colour and form over that raw, chemical base.\u003c\/p\u003e\n\u003cp\u003eMost printers avoid acetone. It's unpredictable. It doesn't play nice with ink. It creates textures you can't control or repeat. Which is exactly why I used it here. The screenprint gives structure — clean edges, solid colour blocks. The acetone underneath gives chaos.\u003c\/p\u003e\n\u003cp\u003eTwo versions exist. Jacky 1 and Jacky 2. Both 560 x 760mm on the same Somerset Satin paper. Same process, same four-layer build, same acetone foundation. But each one developed differently as the chemicals interacted with the ink. You can't make two pieces exactly the same when acetone's involved.\u003c\/p\u003e\n\u003cp\u003eThis isn't from an edition. No planning, no test prints, no colour matching. Just pulled two impressions when the chemistry felt right and stopped. The plates are long gone. These are the only two left.\u003c\/p\u003e\n\u003cp\u003eHand-pulled in the Kimpton studio where I learned to stop fighting the unpredictable parts of screenprint and start using them. Twenty years of learning technique just to deliberately break it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcetone and 4-layer screenprint\u003c\/li\u003e\n\u003cli\u003eSomerset Satin paper\u003c\/li\u003e\n\u003cli\u003e560 x 760mm\u003c\/li\u003e\n\u003cli\u003eOne-off original from archive\u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003cli\u003eSold unframed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCare:\u003c\/strong\u003e Keep away from direct sunlight and moisture. Frame with UV-protective glass if you're planning to display it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping:\u003c\/strong\u003e Wrapped in acid-free tissue and shipped in a sturdy cardboard tube. Free UK shipping. International shipping available.\u003c\/p\u003e\n\u003cp\u003eFor collectors who want something that can't be repeated. When the only choice is which version of unrepeatable you want on your wall.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Jacky 2","offer_id":55419196866946,"sku":"OLI-026","price":250.0,"currency_code":"GBP","in_stock":true},{"title":"Jacky 1","offer_id":56532050182530,"sku":"OLI-230","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/jacky-2-original-hand-pulled-screenprint-9047102.jpg?v=1775415211"},{"product_id":"666","title":"666 — Original Screenprint","description":"\u003cp\u003eCopper doesn't lie. Leave it to the elements and it tells its own story — green blooms spreading across the surface, each piece aging differently. These are one-off originals on oxidised copper, each with its own patina background that I can't control or repeat.\u003c\/p\u003e\u003cp\u003eI'm layering printed collage elements over the copper, then sealing everything with varnish. The metal becomes the canvas, but it's also part of the image — those natural oxidation patterns working with the printed elements, not against them. It's like collaborative printmaking with chemistry.\u003c\/p\u003e\u003cp\u003eThe patina process takes weeks. I oxidise the copper sheets outside the studio, letting the Hertfordshire weather do half the work. Rain, frost, morning dew — it all leaves marks. By the time I'm ready to print, each sheet has become something unique. No two backgrounds are the same because no two pieces of metal weather identically.\u003c\/p\u003e\u003cp\u003eThen comes the printing. Collage elements built up in layers, registration marks meaningless because I'm working with surfaces that have already warped and buckled. The varnish overlay seals everything but adds another variable — how it pools in the oxidised valleys, how it catches the light differently across the green and brown patches.\u003c\/p\u003e\u003cp\u003eThe copper stock came from a demolition yard in St Albans. Sheets that were heading for scrap, now cut down to 300 x 350mm pieces. Some still have ghost marks from their previous life — nail holes, scratches, dents. Those become part of the final piece.\u003c\/p\u003e\u003cp\u003eEach one gets a handmade stained oak frame. Solid timber, not veneer. The frame dimensions accommodate the irregular edges where the copper has oxidised beyond my original cutting lines. Nothing here fits standard measurements because nothing here follows standard processes.\u003c\/p\u003e\u003cp\u003eThese aren't gallery pieces with pristine surfaces and perfect corners. They're workshop experiments that worked. Scratches and marks are part of the process — me learning how copper behaves, how inks sit on oxidised surfaces, how varnish reacts with metal patina. Every imperfection is documented learning.\u003c\/p\u003e\u003cp\u003eThe variants available represent different stages of the oxidation experiments. Some pieces spent longer outside, some got different chemical treatments, some were printed when the patina was still developing. Each number or letter designation marks a different approach to the same core idea.\u003c\/p\u003e\u003cp\u003eFor collectors who understand that the most interesting work happens when you stop trying to control every variable. When you let the materials have their say.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"No.2","offer_id":55742463410562,"sku":"OLI-177","price":450.0,"currency_code":"GBP","in_stock":true},{"title":"No.3","offer_id":56527615033730,"sku":"OLI-178","price":450.0,"currency_code":"GBP","in_stock":true},{"title":"B","offer_id":56527615066498,"sku":"OLI-221","price":450.0,"currency_code":"GBP","in_stock":true},{"title":"Square Original","offer_id":56527615099266,"sku":"OLI-189","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/666-no2-7577139.jpg?v=1775224559"},{"product_id":"dolly","title":"Small Copper Originals — Oxidised Artwork","description":"\u003cp\u003eCopper doesn't lie. Leave it alone and it turns green. Rush it with chemicals and it fights back with unpredictable patterns. These pieces started as flat copper sheets in the studio — heated, treated, left to oxidise until each one developed its own personality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDolly Square\u003c\/strong\u003e, and \u003cstrong\u003eLean\u003c\/strong\u003e — four experiments in what happens when you print on metal that's still changing. Each piece uses the oxidised copper as both canvas and collaborator. The patina creates textures you can't plan for. Dark greens where the copper aged slowly. Bright blues where it reacted fast. Every sheet tells a different story about time and chemistry.\u003c\/p\u003e\n\u003cp\u003eThe printed elements — abstract compositions with varnish overlays — sit on top of this copper landscape. Sometimes they fight the patina. Sometimes they work together. All are hand-pulled using the flatbed press, building up layers of ink and varnish that catch the light differently depending on where you stand.\u003c\/p\u003e\n\u003cp\u003eThis isn't about making pretty pictures. It's about working with materials that have their own agenda. Copper oxidises whether you want it to or not. The trick is learning to work with that process instead of against it. These pieces capture specific moments in that ongoing chemical conversation — each one a one-off original because you can't make the same patina twice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical details:\u003c\/strong\u003e Each piece measures 270 x 270mm, signed on the back, and comes in a handmade stained oak frame. The copper will continue to age very slowly over time — that's part of owning a piece made from living metal. Shipped in archival tissue and padded packaging to protect the surface.\u003c\/p\u003e\n\u003cp\u003eThe prices vary because each piece took different amounts of work to resolve. Some copper sheets cooperated. Others needed more convincing. \u003cstrong\u003eDolly\u003c\/strong\u003e and \u003cstrong\u003eLIGHT\u003c\/strong\u003e needed multiple layers to balance the strong patina patterns. \u003cstrong\u003eGate\u003c\/strong\u003e worked first time. \u003cstrong\u003eLean\u003c\/strong\u003e sits somewhere between.\u003c\/p\u003e\n\u003cp\u003eThese are works in progress made visible. Scratches, marks, and imperfections aren't flaws — they're evidence of the process. If you want machine-perfect prints, buy a poster. 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No two pieces could ever look identical, even if you tried to make them.\u003c\/p\u003e\u003cp\u003eThe bear itself comes from collaged elements — pieces selected, positioned, then locked in place with screen-printed varnish. It's illustration meeting chemistry. The organic shapes of the oxidation play against the deliberate placement of the imagery. Background and foreground blur together in ways that flat printing could never achieve.\u003c\/p\u003e\u003cp\u003eAt 115 x 205mm, it's small-format work. The kind of thing that rewards close inspection. Details emerge as the light changes. The patina reveals new colours. The varnish catches reflections. It's intimate scale work that fits in your hand but changes as you look.\u003c\/p\u003e\u003cp\u003eThis is original artwork in the truest sense — one-off, unrepeatable, signed on the reverse. Not a limited edition. Not a reproduction. The only one that will ever exist. 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Sold unframed because frames are personal—what works in my studio might not work in your space. A float mount would suit it, but that's your call.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-of-a-Kind:\u003c\/strong\u003e Hand-pulled screenprint, edition of 9. Each print carries slight variations from the process—no two are identical.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePremium Finish:\u003c\/strong\u003e Gold glitter detail on the daffodils and grass, applied by hand. Catches the light, adds depth.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArchival Quality:\u003c\/strong\u003e Printed on art paper using lightfast inks and then attached to board.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited Availability:\u003c\/strong\u003e Only 9 exist. Once they're gone, that's it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnframed:\u003c\/strong\u003e Sold unframed so you can choose what works for your space. This artwork would suit a float mount frame.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePerfect For\u003c\/h3\u003e\u003cp\u003eAnyone who wants bold, textured work that doesn't need explaining. Collectors who value hand-pulled prints and limited editions. Spaces that can handle a statement piece without it feeling forced. People who understand that spring is earned, not given.\u003c\/p\u003e\u003ch3\u003eDimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrint Size:\u003c\/strong\u003e 590 x 410mm\u003c\/li\u003e\n\u003cli\u003e5 layer screenprint inc gold glitter, attached to board\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eShipping\u003c\/h3\u003e\u003cp\u003eShips flat, protected. UK delivery included. International shipping available—calculated at checkout.\u003c\/p\u003e\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eIs this framed?\u003c\/strong\u003e\u003cbr\u003eNo. Sold unframed so you can choose your own.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHow many are left?\u003c\/strong\u003e\u003cbr\u003eCheck the listing\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCan I see it in person?\u003c\/strong\u003e\u003cbr\u003eContact me directly to arrange a studio visit.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56462859338114,"sku":"OLI-237","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/strength-in-the-sun-hand-pulled-screenprint-edition-of-9-9209726.jpg?v=1774012833"},{"product_id":"stay-curious-screenprint-originals","title":"Stay Curious - Screenprint Originals (Different Variants)","description":"\u003cp\u003eA child in profile. Holding a toy horse with both hands. That moment of complete focus when you're discovering something extraordinary.\u003c\/p\u003e\n\u003cp\u003eThe background is a warm rust — somewhere between terracotta and burnt sienna. Rich and earthy. It holds the whole composition together. The child's hair is rendered in solid black with expressive linework that suggests movement and weight. A classic 1960s bob cut. The kind you see in vintage children's books.\u003c\/p\u003e\n\u003cp\u003eThe flesh tones are subtle. Cream mixed with the faintest suggestion of pink. They're not flat — they're built up with transparent layers that let the background breathe through. The child's arms wrap protectively around the horse. Small hands. Gentle grip. You can feel the weight of it.\u003c\/p\u003e\n\u003cp\u003eThis print was pulled by hand on heavyweight cartridge stock. Each layer registered by eye and feel. The black line layer went down first after the background. Then the halftone detail layer — probably a 40 or 50 line screen for that visible dot structure. Then the skin tones last, allowing for subtle overprinting where colours meet.\u003c\/p\u003e\n\u003cp\u003eEvery pull is slightly different. That's not a defect. That's the point. Hand-pulled means human touch. Pressure variations. Ink density that shifts. These are originals, not editioned prints. Each one exists in its own right.\u003c\/p\u003e\n\u003cp\u003eThe title — Stay Curious— captures exactly what you're looking at. That fearless childhood instinct to pick things up and examine them. Before we learn to be cautious. Before we forget how to wonder.\u003c\/p\u003e\n\u003cp\u003eThere's something about the composition that recalls 1960s children's illustration — Richard Scarry, Maurice Sendak — but filtered through an urban art sensibility. Bold shapes. High contrast. But tender. Not ironic.\u003c\/p\u003e\n\u003cp\u003eThe craft sits in the detail. Look at the drips deliberately left at the bottom edge. The way the halftone dots create texture on fabric and scales alike. The registration that's nearly — but not quite — perfect. Twenty-six years of pulling prints means knowing exactly when to leave things imperfect.\u003c\/p\u003e\n\u003cp\u003eThis is British screenprint at its most sincere. No digital shortcuts. No reproduction. Just ink, mesh, squeegee, paper, and twenty-six years of knowing exactly how hard to pull.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e\n\u003cp\u003eA3 - 420x297mm\u003c\/p\u003e\n\u003cp\u003eEdition 8\u003c\/p\u003e\n\u003cp\u003eSigned and No. by artist front and back \u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"original","offer_id":56582990135682,"sku":"OLI-092","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"1","offer_id":56582990168450,"sku":"OLI-093","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"2","offer_id":56582990201218,"sku":"OLI-100","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"3","offer_id":56582990233986,"sku":"OLI-104","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"4","offer_id":56582990266754,"sku":"OLI-110","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"5","offer_id":56582990299522,"sku":"OLI-111","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"6","offer_id":56582990332290,"sku":"OLI-112","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"7","offer_id":56582990365058,"sku":"OLI-131","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/1_451e0675-9467-4a5c-980d-a788da0b5886.jpg?v=1776865660"},{"product_id":"corrine-no-1-hand-painted-collage-screenprint","title":"Corrine - Hand Painted Collage \/ Screenprint (Different Variants)","description":"\u003cp\u003e\u003cstrong\u003eCorrine no.1\u003c\/strong\u003e is a joyful collision of vintage ephemera and contemporary screenprint craft. Held in two hands, this original work splits its composition down the middle. On the left, a graphic starburst motif radiates in hot pink and coral orange against a sunshine yellow ground, layered over olive and mustard geometric rays. Below it, white daisies rise from a vase rendered in emerald and teal, their petals catching the light. On the right, a young woman with dark curly hair stands confidently in a teal striped dress, her figure pulled from what feels like a 1950s children's book illustration. Her pink skin tones and the cream backdrop behind her create a warm counterpoint to the electric decorative elements beside her.\u003c\/p\u003e\n\n\u003cp\u003eThe composition breathes with colour. Golden yellows, hot pinks, deep teals, lime greens, purples, and oranges stack and overlap across the picture plane. Geometric blocks of transparent and opaque inks create depth and vibrancy. You can see the hand in this — brushwork, collage edges, the way painted elements sit alongside pulled screenprint layers.\u003c\/p\u003e\n\n\u003cp\u003eThis is a hand-painted collage combined with screenprint, which makes it an original. The \"no.1\" in the title tells you this is the first iteration, a unique piece that blends found vintage imagery with Fowler's signature layering technique. Multiple screens have been pulled here — at least six or seven passes to build up those overlapping colour fields and graphic elements. Transparent inks allow underlayers to glow through, while opaque passes anchor the composition with solid blocks of saturated colour.\u003c\/p\u003e\n\n\u003cp\u003ePrinted on heavyweight archival paper stock, the surface holds the ink with a slight tooth, giving each layer texture and presence. Registration is deliberately loose in places, letting colours drift and interact organically. This is hand-pulled craft, not digital precision.\u003c\/p\u003e\n\n\u003cp\u003eThe mood is pure mid-century optimism — think 1960s children's annuals, vintage fabric design, and British illustration heritage filtered through a contemporary lens. There's nostalgia here, but it's warm and knowing, not sentimental. Fowler draws from the visual language of post-war British graphic design, when colour was bold and illustration was playful.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"1","offer_id":56583515472258,"sku":"OLI-134","price":900.0,"currency_code":"GBP","in_stock":true},{"title":"2","offer_id":56583515505026,"sku":"OLI-135","price":900.0,"currency_code":"GBP","in_stock":true},{"title":"3","offer_id":56583515537794,"sku":"OLI-136","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/4_c71d863c-c936-4427-b820-fe3d6775a612.jpg?v=1776871723"},{"product_id":"natures-gift-hand-painted-collage-screenprint","title":"Natures Gift - Hand painted, collage Screenprint (Different Variants)","description":"\u003cp\u003eThis is a print about abundance. A figure stands with their back to you, crowned with a magnificent purple pumpkin complete with green stem and leaves, presenting armfuls of golden daffodils. The composition pulses with warmth—horizontal bands of egg-yolk yellow, tangerine orange, hot pink, and scarlet stripe the background like a sunset caught mid-burn. Curved green foliage sweeps through the lower half, grounding the surreal harvest scene.\u003c\/p\u003e\n\n\u003cp\u003eThe flowers themselves are extraordinary. Dense yellow daffodils, rendered in multiple ink layers with visible texture and grain, emerge from both corners. You can see the hand-painted details in the petals, the careful collage work where paper elements have been integrated into the screenprint layers. This isn't just printing—it's assemblage, painting, and printmaking working together.\u003c\/p\u003e\n\n\u003cp\u003eThe figure's black dress shows beautiful horizontal ribbing, achieved through careful screen exposure and precise ink control. That rich, matte black sits against the vibrant colour field, creating depth and contrast. Look closely and you'll spot the artist's signature in the lower right—\u003cem\u003eOli 26\u003c\/em\u003e—marking this as a 2026 original.\u003c\/p\u003e\n\n\u003cp\u003eThis is a unique state print. The title tells you everything: hand-painted, collage, screenprint. Every element is built up in individual layers. First, the colour field bands—each pulled separately, registered by hand. Then the figure, masked and exposed as its own screen. The florals next, with hand-painted additions worked directly onto the print between passes. Finally, collage elements adhered and integrated. The process takes days. No two will ever match exactly.\u003c\/p\u003e\n\n\u003cp\u003ePrinted on heavyweight archival paper stock, the kind that takes ink with texture and holds colour without fading. You can feel the deposit of each layer, the slight relief where pigment sits on the surface. This is the opposite of digital flatness.\u003c\/p\u003e\n\n\u003cp\u003eThe imagery draws from folk traditions—harvest figures, anthropomorphic vegetables, the British love affair with both pumpkins and daffodils. But there's contemporary graphic confidence here too, the boldness of Saint Martins training meeting twenty-six years of studio practice. It feels both timeless and utterly now.\u003c\/p\u003e\n\n\u003cp\u003eThis is what original screenprint means. Hand-pulled. Hand-painted. Collaged by hand. One print, one moment in the studio, never to be exactly repeated.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"1","offer_id":56583577862530,"sku":null,"price":900.0,"currency_code":"GBP","in_stock":true},{"title":"2","offer_id":56583577895298,"sku":null,"price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/7_1ceb66b8-947f-4609-91bc-90bd31c597ff.jpg?v=1776873100"},{"product_id":"to-the-shop-hand-painted-collage-screenprints","title":"To The Shops Hand Painted Collage (Different Variants)","description":"\u003cp\u003eFive originals. Each one its own thing. Same process, different conversation.\u003c\/p\u003e\n\n\u003cp\u003eThe surface starts with aged textured paper — wire wool and vinegar, a process that takes time and changes the paper's character before a single mark is made. Collage elements go in next. Then screenprinted layers. Then hand-painted passages that move across the surface with a looseness that print alone can't achieve. The result is something built, not just reproduced.\u003c\/p\u003e\n\n\u003cp\u003eThe titles tell you something. \u003cem\u003eTechnicolours. To The Shops. Outside The Box. It Doesn't Have To Mean Anything. Ride The Waves.\u003c\/em\u003e They're not descriptions — they're moods. Each piece carries its own palette, its own weight, its own reason for existing.\u003c\/p\u003e\n\n\u003cp\u003eThe colour across the series is bold and unafraid. Warm, saturated, occasionally unexpected. The kind of work that holds a wall rather than decorates it.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is sealed with UV-resistant satin gloss. Edges hand-stained black. The artist's stencil on the reverse. Signed and numbered on the front.\u003c\/p\u003e\n\n\u003cp\u003eFive originals. Edition of 1 each. Choose the one that speaks to you — there's no second chance once it's gone.\u003c\/p\u003e\n\n\u003cp\u003eA3+ — 420×594mm\u003cbr\u003e\nEdition 1 of each variant\u003cbr\u003e\nSigned and numbered by the artist, front and back\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Technicolours","offer_id":56583617675650,"sku":null,"price":1200.0,"currency_code":"GBP","in_stock":true},{"title":"To The Shops","offer_id":56583617708418,"sku":null,"price":1200.0,"currency_code":"GBP","in_stock":true},{"title":"Outside The Box","offer_id":56583617741186,"sku":null,"price":1200.0,"currency_code":"GBP","in_stock":true},{"title":"It Doesn't Have To Mean Anything","offer_id":56583617773954,"sku":null,"price":1200.0,"currency_code":"GBP","in_stock":true},{"title":"Ride The Waves","offer_id":56583617806722,"sku":null,"price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/14.jpg?v=1776875099"},{"product_id":"dreams-original-artwork","title":"Dreams Original artwork","description":"\u003cp\u003eDreams. Not the soft-focus kind. The kind that have weight and colour and a logic all their own.\u003c\/p\u003e\n\n\u003cp\u003eThe surface is built up in layers. Textured paper aged with wire wool and vinegar before anything else happens — a process that gives the paper a history before the image arrives. Collage elements sit within that surface. Screenprinted layers come next. Then hand-painted passages that move across the composition with a looseness that print alone can't achieve.\u003c\/p\u003e\n\n\u003cp\u003eThe palette is bold. Seven colour references across the piece — nothing timid, nothing accidental. The kind of colour that holds a room. The kind that looks different depending on the light and the time of day.\u003c\/p\u003e\n\n\u003cp\u003eThis is a framed original. One piece. It won't be made again.\u003c\/p\u003e\n\n\u003cp\u003eSealed with UV-resistant satin gloss. Edges hand-stained black. The artist's stencil on the reverse. Signed and numbered on the front.\u003c\/p\u003e\n\n\u003cp\u003eA3+ — 420×594mm\u003cbr\u003e\nOne of a kind\u003cbr\u003e\nSigned by the artist, front and back\u003cbr\u003e\nFramed and ready to hang\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583793410434,"sku":"OLI-167","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/1_54fdd73a-f2f8-414d-a6b9-dc111d6f51db.jpg?v=1776875996"},{"product_id":"natures-gift-no-4-original-artwork","title":"Natures Gift No.4 Original Artwork","description":"\u003cp\u003e\u003cem\u003eNatures Gift No.4 Original Artwork\u003c\/em\u003e is a joyful collision of mid-century nostalgia and bold screenprint colour. A vintage paper doll figure—her dress a riot of hand-pulled stripes in orange, pink, yellow, and green—stands against an abstract landscape built from olive, mustard, rust, and hot pink. Two floating circles hover above her head like suns or moons, one split between magenta and deep purple, the other glowing hot pink with geometric facets. To her left, a stylised flower blooms from a navy vase, its petals radiating in yellow, orange, red, and blue.\u003c\/p\u003e\n\u003cp\u003eThis is an original hand-pulled screenprint. Not an edition. Not a variant. The only one that will ever exist.\u003c\/p\u003e\n\u003cp\u003eOli pulled this on heavyweight Somerset Satin, 300gsm, chosen for its soft tooth and ability to hold dense ink without buckling. The paper drinks transparent layers and reflects opaque ones. You can see it working across the whole composition.\u003c\/p\u003e\n\u003cp\u003eThe layering here is complex. At least twelve separate pulls. The background starts with a mid-tone grey, then horizontal bands of olive green, golden yellow, grey, bright cadmium yellow, scarlet orange, and magenta pink. Each one registered by hand. The circles came next—transparent magenta over purple creates that jewel-like glow. The girl was printed in multiple passes: her outline, her dress stripes, her hair, her skin tones, her green sleeves and tights. The flower needed four: the vase, the stem, the leaves, the radiating petals. Where inks overlap, new colours appear—olive green meets yellow and shifts warmer, pink meets purple and deepens to plum.\u003c\/p\u003e\n\u003cp\u003eThis print draws on 1960s children's illustration, Constructivist composition, and the flat graphic language of Polish poster art. There's something tender about that paper doll girl, carefully preserved and recontextualised into a landscape of pure colour and geometry. It feels like childhood memory filtered through twenty-six years of printmaking discipline.\u003c\/p\u003e\n\u003cp\u003eThe textured, almost rusty quality in the upper background isn't digital grain—it's the physical reality of ink meeting paper under pressure. Hand-pulled. Unrepeatable.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e\n\u003cp\u003eA2 Float mounted\u003c\/p\u003e\n\u003cp\u003eSigned front and back\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583926382978,"sku":"OLI-168","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/2_eff94618-8bb3-4b46-9375-0305db4f164d.jpg?v=1776877298"},{"product_id":"natures-gift-no-3-original-artwork","title":"Natures Gift No.3 Original Artwork","description":"\u003cp\u003eThis is what happens when vintage childhood nostalgia collides with psychedelic pop art intensity. Two bold, graphic flowers explode across a deep black ground — one in hot reds and oranges, the other in electric yellows with lime accents. Their petals radiate outward like sunbursts, each stem rising from a shared heart-shaped base rendered in rich terracotta browns. Overlaid on the right, a young girl in a turquoise dress stands frozen in time, sourced from mid-century ephemera, her presence both innocent and haunting against the kaleidoscopic energy.\u003c\/p\u003e\n\n\u003cp\u003eThe colour palette is fearless. Golden yellows bleed into orange. Hot pinks punch through from the upper corner where the figure's face glows in graduated tones. Teal greens in the dress create cool counterpoints to the warm explosion below. Geometric overlays — translucent triangles in lime, pink, orange — build optical depth across the lower composition. Horizontal orange stripes cut across the top like a retro television test pattern. On the left edge, decorative motifs in blues and pinks add another layer of visual information. Every inch is working.\u003c\/p\u003e\n\n\u003cp\u003eThis is an original screenprint. Not part of an edition. One pull, one artwork, never to be repeated. The layering here is complex — at least ten separate screens to build this density of colour and detail. Each layer pulled by hand on the bench. The black background went down first, creating that dramatic void. Then the geometric foundation layers — those translucent triangles that establish spatial depth. The flower stems and heart base followed, then the radiating petals in their multiple colour passes. The vintage figure required careful registration, her dress, skin tones, and face each demanding separate screens. The horizontal stripes, the decorative edge elements, the final highlights — all built up through sequential pulls.\u003c\/p\u003e\n\n\u003cp\u003ePrinted on heavyweight art paper with enough weight to hold this ink density without buckling. The surface shows the slight texture variations that only hand-pulling creates — small irregularities in ink coverage, the honest imperfections that prove human craft over mechanical reproduction.\u003c\/p\u003e\n\n\u003cp\u003eThere's a 1960s optimism here, filtered through contemporary collage sensibility. It channels Peter Blake's pop art nostalgia, the psychedelic poster art of San Francisco's Summer of Love, the layered visual language of Rauschenberg. But it's unmistakably Fowler — that signature collision of found imagery and graphic boldness, where childhood innocence meets sophisticated printmaking technique. The title \u003cem\u003eNature's Gift No.3\u003c\/em\u003e positions these flowers as offerings, celebrations, bursts of natural joy rendered in the most unnatural, glorious colour.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583941325186,"sku":"OLI-169","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/20_95c589ff-a685-4109-8919-50d5e1cb39df.jpg?v=1776878488"},{"product_id":"boxed-in-original-artwork","title":"Boxed In No.2 Original Artwork","description":"\u003cp\u003e\u003cem\u003eBoxed In\u003c\/em\u003e is a collision of 1960s pop energy and urban melancholy. A young woman stands in profile, caught in a moment of introspection, surrounded by geometric shapes that feel both playful and claustrophobic. The title speaks to the tension in the composition — those vertical bars on the left, the overlapping circles like lollipops or street signs, the grid of colour that boxes her in.\u003c\/p\u003e\n\u003cp\u003eThe palette is fearless. Acid yellows bleed into lime greens. Hot pinks sit against deep purples. Orange and teal overlap to create unexpected tertiary tones. This is what happens when you layer transparent inks — colours mix optically on the paper, creating depths you can't achieve with flat printing. Every overlap is a decision. Every registration matters.\u003c\/p\u003e\n\u003cp\u003eThis is an original screenprint. Not edition one of fifty. Not number twelve of twenty. The only one. Oli pulled this piece as a unique work — a one-off exploration of colour, composition, and process. It will never be repeated.\u003c\/p\u003e\n\u003cp\u003eThe layering here is complex. At least ten to twelve separate screens, possibly more. Each colour required its own stencil, its own pull, its own drying time. The figure was likely built up first — that orange skin tone, the yellow and green of the dress, the dark hair. Then the background layers: the purple and teal blocks, the circular forms, the vertical stripes. The transparency of the inks means later layers don't obliterate what's beneath — they interact with it.\u003c\/p\u003e\n\u003cp\u003eThe paper stock anchors all that colour. Heavy weight cartridge, substantial enough to handle multiple wet layers without buckling. You can see the tooth of the paper where the ink sits, the slight texture that proves this was pulled by hand, not pushed through a digital press.\u003c\/p\u003e\n\u003cp\u003eThere's something very British about this piece. It has the graphic punch of 1960s London poster art — the era of Biba, of King's Road, of Central Saint Martins graduates reshaping visual culture. But it also carries a contemporary edge, that sense of urban isolation despite all the noise and colour around you. The figure isn't celebrating — she's contained, framed, boxed in by the city's geometry.\u003c\/p\u003e\n\u003cp\u003eThe composition plays with positive and negative space. The figure is solid, boldly rendered, while the background fragments into shapes and patterns. Those circular forms could be anything — traffic lights, balloons, thought bubbles, urban signage. The vertical bars suggest architecture, railings, the grid of city living. Everything overlaps, creating a visual rhythm that moves your eye around the frame.\u003c\/p\u003e\n\u003cp\u003eThis is screenprinting as fine art. Twenty-six years of knowing how inks behave, how colours interact, how to register a screen so the overlap is intentional, not accidental. Central Saint Martins taught technique, but two and a half decades in a Hertfordshire studio taught instinct.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e\n\u003cp\u003e420x594mm\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583950107010,"sku":"OLI-171","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/19_bc124123-cd80-47ad-8b0b-baeb03f16308.jpg?v=1776879254"},{"product_id":"any-which-way-original-artwork","title":"Any Which Way - Original Artwork","description":"\u003cp\u003e\u003cem\u003eAny Which Way\u003c\/em\u003e is a psychedelic collision of colour and form. A female figure stands right of centre, her silhouette layered with vibrant florals and pattern work that bleed through like a double exposure. She's caught mid-stride, confident, tattooed with imagery. Hot pink dominates the right side of the composition. Deep magenta, searing and unapologetic.\u003c\/p\u003e\n\n\u003cp\u003eTo her left, a stylised flower rises from geometric ground. Orange and pink petals radiate from a sun-yellow centre. Behind both figure and bloom, organic shapes undulate across the picture plane—curves of cream, turquoise, aubergine, teal. These forms aren't decorative. They create spatial depth, pushing and pulling the eye through layers of transparent ink.\u003c\/p\u003e\n\n\u003cp\u003eThe lower third transitions into radiating stripes. Lime green, lemon yellow, tangerine, burnt orange. They fan outward like a sunrise viewed through a kaleidoscope. Energy moves upward through the print. There's a signature bottom left, hand-signed in a darker tone.\u003c\/p\u003e\n\n\u003cp\u003eThis is original artwork. Not an edition. A unique hand-pulled screenprint that exists once. The term matters because screenprinting typically produces multiples, but this piece stands alone. Every layer was pulled individually on Oli's press in Hertfordshire. No digital shortcuts. No mechanical reproduction.\u003c\/p\u003e\n\n\u003cp\u003eThe layering process here is complex. At least ten separate screens, possibly more. The background shapes went down first—those large organic forms establishing the colour field. Then the figure, printed in a way that allows underlying layers to show through. The floral patterning within her outline required precise registration. The foreground flower and radiating stripe work came next, each demanding its own screen, its own pull. Finally, the deep saturated pinks that anchor the right side.\u003c\/p\u003e\n\n\u003cp\u003eThe aesthetic pulls from 1960s psychedelia and 1970s counterculture graphics. There's Wes Wilson in those organic curves. Peter Max in the colour saturation. But filtered through a contemporary lens—street art energy, digital collage thinking executed in analogue craft. The figure feels simultaneously vintage and now. Retro fashion photography meets screenprint's inherent flatness.\u003c\/p\u003e\n\n\u003cp\u003eThe paper stock would be heavyweight—300gsm minimum to handle this many ink layers without warping. Probably Somerset or Fabriano. Something with enough tooth to grip the ink but smooth enough for clean registration across multiple pulls.\u003c\/p\u003e\n\n\u003cp\u003eThis print captures a specific mood. Optimistic but not naive. Bold without shouting. It understands its references without being enslaved to them.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583960035714,"sku":"OLI-172","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/18_03e5c91a-8f57-450f-9c15-ed4748481479.jpg?v=1776880070"},{"product_id":"stupid-dog-original-artwork","title":"Stupid Dog - Original Artwork","description":"\u003cp\u003e\u003cem\u003eStupid Dog\u003c\/em\u003e is a riot of psychedelic colour and primitive form. Two totemic figures stand sentinel either side of a pale, ghostly flower. The left figure pulses with wavy bands of electric blue, acid green, hot pink and orange — like a heat map or a hallucination. The right figure towers in dusty pink and purple, striped vertically, both arms raised. Between them, a white daisy bleeds downward, drips of pale ink running like wax from a candle.\u003c\/p\u003e\n\n\u003cp\u003eThe background is pure optical heat. Radiating bands of red, orange, yellow and green surge outward from the centre, creating a halo effect that feels part sunrise, part target, part portal. The flower sits dead centre, its petals crudely drawn, almost childlike. But there's nothing naive about the execution.\u003c\/p\u003e\n\n\u003cp\u003eThis is an original artwork. One of one. No edition. Once it's sold, that's it.\u003c\/p\u003e\n\n\u003cp\u003eThe layering here is dense and deliberate. First came the background gradient — probably three or four passes to build that intensity, each colour pulled through a separate screen. Then the figures, built up in transparent washes of cyan, magenta, yellow, layered to create those undulating rainbow patterns. The green and pink solids came next, printed wet enough to allow some bleed and texture. Finally, the white flower and drips, laid down last to sit on top of everything, opaque but not flat — you can see the weave of the paper through the ink.\u003c\/p\u003e\n\n\u003cp\u003eOli worked this on heavy cotton rag stock, the kind that holds water-based ink without buckling. Every pass registered by eye and hand. No digital shortcuts. The slight shifts in alignment aren't mistakes — they're evidence of the process.\u003c\/p\u003e\n\n\u003cp\u003eThe mood pulls from 1960s psychedelic poster art, the kind churned out for Avalon Ballroom gigs and Grateful Dead shows. But there's also something older here. Those figures feel like corrupted deities, ancient symbols passed through a photocopier too many times. The flower could be reverent or sarcastic. The title suggests the latter.\u003c\/p\u003e\n\n\u003cp\u003eThere's a looseness to this that only comes from decades of printmaking. Oli doesn't fuss. He pulls, he layers, he lets the ink do what it wants within the boundaries of the screen. Twenty-six years of craft gives you that confidence.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583967834498,"sku":"OLI-173","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/17_e8b33b1f-ac55-42a3-b268-a2e858017265.jpg?v=1776880795"},{"product_id":"time-to-go-home-original-artwork","title":"Time to go home - Original artwork","description":"\u003cp\u003eA young girl walks home at dusk, her yellow floral dress vivid against the fading light. Short dark hair, trainers, a small black cat padding alongside her. The path beneath her feet explodes into rainbow stripes — orange, magenta, yellow, violet — like the world itself is celebrating the end of the day. Behind her, a row of terraced houses glows soft in the sunset, their windows catching the last amber light. A street lamp stands sentinel. Yellow flowers — daffodils maybe, or dandelions — punctuate the foreground. This is childhood. This is the walk you took every day after school, when the world felt both enormous and safe.\u003c\/p\u003e\n\u003cp\u003eThis is an original screenprint. Not part of an edition. A unique piece pulled once, by hand, in Hertfordshire. The kind of work that happens when twenty-six years of craft meets a single afternoon of spontaneous layering. Once it's sold, the screens are cleaned. The artwork can never be repeated.\u003c\/p\u003e\n\u003cp\u003eThe paper is heavyweight cotton rag, chosen for its tooth and absorbency. It holds the ink without buckling, even through multiple passes. The base layer is a warm wash — peachy orange fading into rose and violet — pulled through an open screen to create that sunset gradient. Then come the architectural elements: the houses, the lamp, the distant skyline, printed in semi-transparent yellows and pinks so they sit back in the atmospheric haze. The rainbow path is next — each stripe a separate pull, colours bleeding at the edges where the ink is still wet. The girl and her cat are printed last, using a fine mesh screen to capture the detail in her dress pattern and the negative space in her silhouette. The flowers are added with a loose, almost gestural layer — bright cadmium yellow with flecks of orange. Registration is deliberately imperfect. You can see where colours overlap and shift. That's the point.\u003c\/p\u003e\n\u003cp\u003eThere's something very British about this image. Terraced houses. Street lamps. The specific quality of light at five o'clock in spring. It draws on mid-century illustration — the flat graphic shapes, the bold colour — but filtered through a contemporary urban lens. Think Shirley Hughes meets street art. Nostalgia, but not sentimental. Honest.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e\n\u003cp\u003eA1 841 x 594mm\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583971963266,"sku":"OLI-174","price":3400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/13_8ff9d1e1-feb8-46ee-bf3d-4ca5046cd46d.jpg?v=1776881451"},{"product_id":"do-your-dance-original-artwork-series","title":"Do Your Dance - Original Artwork series","description":"\u003cp\u003eTwo figures stand in a world of pure colour. The child on the left—blonde hair rendered in pale yellow, body covered in wave patterns and zigzags, hands raised like they're mid-spin. The taller figure on the right—green-toned face, striped dress, standing confident. Both pulled from what feels like a 1970s children's annual. Both dancing in their own way.\u003c\/p\u003e\n\n\u003cp\u003eThis is \u003cstrong\u003eDo Your Dance\u003c\/strong\u003e—an original screenprint from Oli Fowler's studio. Not part of a numbered edition. Original means one-off. When it's gone, the screens are cleaned and the image is never pulled again.\u003c\/p\u003e\n\n\u003ch3\u003eColour and Composition\u003c\/h3\u003e\n\n\u003cp\u003eThe palette is fearless. Hot pink bleeds into deep orange. Turquoise sits next to purple. Yellows—both soft cream and sharp citrus—anchor the top of the composition in organic, undulating forms. The background is divided into loose, overlapping fields of colour. Polka dots scattered across turquoise. Grass-like marks in green at the bottom. Pink and yellow flowers blooming at the figures' feet. Yellow ink drips vertically, left raw and unwiped. The whole piece hums with layered energy.\u003c\/p\u003e\n\n\u003ch3\u003eThe Process\u003c\/h3\u003e\n\n\u003cp\u003eThis print required at least twelve separate screens. Each colour laid down, dried, then overprinted. The base fields went down first—orange, turquoise, purple sections. Then the curved organic shapes at the top, each a separate pull. The figures next—outline work, then solid fills, then pattern details. Stripes hand-drawn onto the screen. Wave patterns on the child's dress, crosshatching on the older girl's outfit. Polka dots registered by eye. Floral motifs. Drips added late in the process, deliberately left loose. Final black line work to define the figures.\u003c\/p\u003e\n\n\u003cp\u003eThe paper is heavyweight cartridge stock—300gsm, off-white, with enough tooth to hold this much ink without buckling. You can see the texture where layers overlap. The density of the build-up. Water-based inks throughout, hand-mixed for each pull.\u003c\/p\u003e\n\n\u003ch3\u003eInspiration and Mood\u003c\/h3\u003e\n\n\u003cp\u003eThis draws from vintage children's illustration—the kind found in Ladybird books and Blue Peter annuals. But filtered through a contemporary maximalist lens. The title suggests movement, freedom, unselfconsciousness. Childhood before inhibition sets in. The bold colour and pattern work references 1960s psychedelia, folk art, outsider expression. It's joyful without being saccharine. Energetic without chaos.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583976190338,"sku":"OLI-175","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/21_2118145c-6c79-43f8-8c0d-38b7e570246a.jpg?v=1776881925"},{"product_id":"jacky-goes-to-school-original-artwork","title":"Jacky Goes To School - Original Artwork","description":"\u003cp\u003eA young girl stands ready for school, her back to us, yellow hair catching the light. She wears a hot pink dress scattered with cream polka dots, turquoise sleeves visible beneath. This is \u003cem\u003eJacky Goes To School\u003c\/em\u003e, and she's walking straight into a layered world of childhood memory and urban grit.\u003c\/p\u003e\n\n\u003cp\u003eThe background is rich chocolate brown, hand-pulled as the base layer. Over this, Fowler builds a collaged dreamscape: cream swirling graffiti clouds drift across the upper left, a golden star compass spins mid-composition, fragments of vintage school readers peek through at the base—children at desks, forgotten textbook illustrations from another era. The girl herself is rendered in bold pop-art style, black outlines defining her silhouette with graphic confidence.\u003c\/p\u003e\n\n\u003cp\u003eThis is an original artwork. Not part of an edition. A one-off.\u003c\/p\u003e\n\n\u003cp\u003eThe paper stock carries weight—you feel the tooth of it, the way each layer of ink sits distinct. Fowler builds this piece through multiple screen passes: that chocolate brown first, then the collaged background elements in cream and gold, the pink dress requiring careful registration, the turquoise sleeves, finally those precise black outlines and details pulled last. Each layer dried between passes. Each colour mixed by hand. The polka dots—hand-cut stencil work, probably six or seven individual dots punched from the screen.\u003c\/p\u003e\n\n\u003cp\u003eThere's nostalgia here, but it's not sentimental. The vintage school imagery collides with street art energy—graffiti clouds, bold colour, that urban rawness. It references Lichtenstein's pop sensibility but grounds it in something more personal, more British, more layered. The girl could be from a 1960s reading primer, but she's been pulled into now, into a world of spray paint and screenprint ink.\u003c\/p\u003e\n\n\u003cp\u003eFowler's Central Saint Martins training shows in the composition—nothing accidental, every element earning its place. Twenty-six years of pulling screens means knowing exactly when to stop, when one more layer would kill it.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583979663746,"sku":"OLI-176","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/16_e79ce474-bad8-4629-bb16-644b0f81f9e1.jpg?v=1776882426"},{"product_id":"ride-the-wave-no-2-original-artwork","title":"Ride The Wave No.2 - Original Artwork","description":"\u003cp\u003eA young woman stands defiant and joyful at the centre of a psychedelic storm. This is \u003cem\u003eRide The Wave No.2\u003c\/em\u003e, and she's doing exactly that—surfing through swirling ribbons of hot pink, electric yellow, tangerine orange, and olive green that curl and cascade around her like liquid colour. Her bob haircut and patterned mini-dress place her firmly in the late 60s, but the energy is timeless. She's smiling. She's ready.\u003c\/p\u003e\n\n\u003cp\u003eThe composition pulses with movement. Those sweeping wave forms aren't just decorative—they're structural, built from multiple overlapping layers that create depth and optical vibration. Look at the left side: circular motifs float like bubbles or planets, printed in translucent purples and pinks that shift depending on what's beneath. The background radiates outward in streaks of red, yellow, and blue, while the foreground anchors everything with darker, earthier tones at the base.\u003c\/p\u003e\n\n\u003cp\u003eThis is an original screenprint—hand-pulled, one-of-a-kind. Not part of an edition. The layering here is complex: at least eight to ten separate screens, possibly more. You can see the evidence in the registration marks bleeding at the edges and in the way halftone dots overlap to create new optical colours. The black line work defining the figure was likely printed late in the sequence, sitting crisp on top of the chromatic chaos beneath. Each pass through the press adds another dimension—transparent inks build into luminous, saturated fields where they overlap.\u003c\/p\u003e\n\n\u003cp\u003ePrinted on heavyweight art stock that can handle this kind of punishment. The surface texture shows through in places, visible in the way certain inks sit differently depending on pressure and squeegee angle. This is what 26 years of experience looks like: controlled chaos, technical mastery disguised as spontaneous joy.\u003c\/p\u003e\n\n\u003cp\u003eThe inspiration is clear—British psychedelic poster art, the optimism of 1967, the moment when pop culture exploded into full Technicolor. But filtered through a contemporary lens. The figure feels both nostalgic and current, like she's been riding this wave through decades and just emerged on the other side.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56583990018434,"sku":"OLI-190","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/15_402a55c5-e56b-4bdf-bafa-4aed88bc5944.jpg?v=1776882802"},{"product_id":"you-want-some-original-artwork","title":"You Want Some? Original Artwork","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAcross this whole collection, perfection was never the point. The making of it was the art itself. The computer got turned off. The handmade positives came back. Something that had been buried under two decades of technical discipline came back with it, a childhood curiosity, an instinct to react rather than control. These works are the result of that explosion.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eYou Want Some? is where that explosion is loudest.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe flower is the anchor. One motif, locked in, running through a riot of hot pinks, electric blues, acid yellows and dense layered greens. Bold blooms with ringed circular centres crowd and overlap across the whole composition. Leaves push outward with raw graphic confidence. The background drips and collides and refuses to resolve. The ink drips. The registers shift. Every one of those moments is precisely the point.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMounted on a found wooden board from the local community. Handmade birch float mount frame, 566x773mm, 30mm depth. Signed front and back. Certificate of authenticity included.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56597299331458,"sku":"OLI-200","price":3000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8527.jpg?v=1777461010"},{"product_id":"more-please-original-artwork","title":"More Please - Original Artwork","description":"\u003cp\u003e\u003cstrong\u003eMore Please\u003c\/strong\u003e is a declaration. It is Oli Fowler at his most liberated, most present, and most unapologetically himself.\u003c\/p\u003e\n\n\u003cp\u003eFor a long time, Oli's career was defined by an exhausting climb toward technical perfection, pushing screen printing to a mechanical summit where results were so flawless they felt sterile and indistinguishable from digital output. That total control stripped away the human vulnerability and soul from the work. So he blew it all up. He initiated a radical deconstruction of his practice and emerged with something far more alive: what he now calls \u003cem\u003ethe beauty of the mess.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThat transformation is governed by a strict personal manifesto: \u003cem\u003e\"If it's fun, I want some; if it's a chore, I don't want it anymore.\"\u003c\/em\u003e Those words are not just a philosophy. In \u003cstrong\u003eMore Please\u003c\/strong\u003e, they are the work itself. The phrase floods the background in layer upon layer of hand-pulled golden type, repeating across a deep olive ground until the text becomes texture, becomes wallpaper, becomes the beating pulse beneath everything. Up from that field, a riot of fluorescent flowers erupts in electric pink, burnt orange, blazing red and acid yellow, their petals drawn with the raw physical intuition of a hand no longer restrained by the grid. The forms overlap and collide. The registration is human. That is entirely the point.\u003c\/p\u003e\n\n\u003cp\u003eBy moving away from the computer and returning to handmade positives, Oli reclaimed the tactile spontaneity of the studio, trading sanitised symmetry for the honest, visceral energy of the hand-pulled line and a rediscovered childhood curiosity. The singular motif of the flower acts as an aesthetic constraint, and it is precisely that restriction which unlocks a paradoxical sense of total freedom. Dense textures, colliding layers, fluorescent colours that refuse to be ignored: this is not decoration. It is a celebration of being completely present in the act of making.\u003c\/p\u003e\n\n\u003cp\u003eThe original artwork is presented in a \u003cstrong\u003ehandmade birchwood cladded float mount frame, 695 x 955mm with a 70mm depth.\u003c\/strong\u003e It is signed on both the front and the back and comes with a certificate of authenticity. The frame carries the honest imperfections of real materials, anchoring the vibrant chaos of the ink in the physical history of the world it came from.\u003c\/p\u003e\n\n\u003cp\u003eThis body of work is a defiant rejection of the boxes and labels typically imposed on artists. It leans instead into the versatile, endlessly curious philosophy of the maker who refuses to be defined. These pieces are not just prints. They are proof that master-level curiosity is the only route to true happiness in the act of making. \u003cem\u003eMore Please\u003c\/em\u003e does not ask for your attention politely. It takes it.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56597516517762,"sku":"OLI-280","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8635.jpg?v=1777462658"},{"product_id":"summer-camp-original-artwork","title":"Summer Camp - Original Artwork","description":"\u003cp\u003e\u003cem\u003eSummer Camp\u003c\/em\u003e is where the manifesto lives on the surface. Look at it and you will see the words right there, bold and unapologetic at the base of the piece: \u003cstrong\u003eIF IT'S FUN I WANT SOME.\u003c\/strong\u003e That is not a caption. That is the engine. After over two decades of pushing screen print toward a kind of mechanical perfection, toward results so technically flawless they had begun to feel cold and indistinguishable from a digital file, Oli made a decision to tear the whole thing down and start again from instinct. This original artwork is the living proof of that decision.\u003c\/p\u003e\n\u003ch3\u003eThe Beauty of the Mess\u003c\/h3\u003e\n\u003cp\u003eFor a long time, the climb toward total control defined everything. And when Oli reached that summit, he found something unsettling waiting there: sterility. The human vulnerability had been ironed out. The soul had gone quiet. So he put down the computer, picked up handmade positives, and let raw physical intuition back into the room. \u003cem\u003eSummer Camp\u003c\/em\u003e is what that freedom looks like when it detonates in fluorescent colour. Cascading blooms in electric purple, acid yellow, hot pink and cyan explode upward from the surface, layer upon layer of translucent ink building a density that no digital process could replicate. The flower is the singular motif, the only constraint, and that restriction is precisely what makes the rest feel completely unhinged in the best possible way. A paradox Oli has fully leaned into.\u003c\/p\u003e\n\u003ch3\u003eA Found Board, a Real History\u003c\/h3\u003e\n\u003cp\u003eThe work is mounted on a found wooden board, a repurposed material sourced from within the local community. This is not a stylistic affectation. It is a philosophical choice. The physical imperfections of that board, its grain, its age, its marks, anchor the riot of ink to something that has already lived in the world. The vibrant chaos of the print does not float in a vacuum. It sits on history. The whole piece then lives inside a \u003cstrong\u003ehandmade solid oak float mount frame\u003c\/strong\u003e at \u003cstrong\u003e660 x 900mm with a 40mm depth\u003c\/strong\u003e, which gives the work the presence on a wall that it demands.\u003c\/p\u003e\n\u003ch3\u003eSigned, Certified, Unrepeatable\u003c\/h3\u003e\n\u003cp\u003eThis is not a body of work interested in boxes or labels. Oli's philosophy here is proudly that of the Jack of all trades, the maker who refuses to be filed away neatly. \u003cem\u003eSummer Camp\u003c\/em\u003e is a celebration of being present in the studio, of childhood curiosity reclaimed in adult hands. Every hand-pulled mark carries that energy. The repeated ghost text behind the flowers, the same words echoing across the gold ground before they announce themselves in white three-dimensional letters below, the whole composition is one coherent shout: joy is the point. Making is the point. \u003cstrong\u003eThis piece is signed on both the front and back\u003c\/strong\u003e and comes with a \u003cstrong\u003ecertificate of authenticity\u003c\/strong\u003e. There is only one.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56597773222274,"sku":"OLI-281","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8505.jpg?v=1777463328"},{"product_id":"writers-block-original-artwork","title":"Writers Block - Original Artwork","description":"\u003cp\u003eAfter 26 years honing his craft, Oli Fowler arrived at a place of technical perfection. Every layer registered. Every edge was clean. Every pull was controlled. And then it hit him. The work had become flawless in the way a spreadsheet is flawless. The soul had quietly left the building.\u003c\/p\u003e\n\u003cp\u003eSo he burned the rulebook. He stepped away from the sanitised precision of the computer and went back to handmade positives, raw physical intuition, and the visceral, honest energy of the hand-pulled line. He calls it \u003cem\u003ethe beauty of the mess\u003c\/em\u003e. The manifesto that drives this entire body of work reads simply: \u003cstrong\u003e\"If it's fun, I want some; if it's a chore, I don't want it anymore.\"\u003c\/strong\u003e That line does not just appear in his studio notebook. Look at the image. It is printed directly into the work, cascading across the background in bold, overlapping type, repeating and shifting and bleeding into itself like a thought you cannot stop thinking.\u003c\/p\u003e\n\u003ch3\u003eWhat You Are Looking At\u003c\/h3\u003e\n\u003cp\u003eThe composition hits you immediately. A riot of fluorescent reds, electric yellows, acid greens, sky blues, and hot pinks collide across the surface in dense, layered screenprint. Bold graphic flowers erupt from the centre, their petals rendered with a joyful, almost childlike directness that is entirely deliberate. This is not naivety. This is a master printmaker choosing to reconnect with the freedom of someone who has not yet learned to be afraid of making mistakes. The colours bleed and overlap. Layers sit fractionally off register. Ink textures shift and breathe across the surface in ways no digital file could ever replicate or predict.\u003c\/p\u003e\n\u003cp\u003eThe flower is Oli's singular aesthetic anchor throughout this body of work, a constant thread running through the chaos. It keeps the work grounded even as everything around it explodes with energy.\u003c\/p\u003e\n\u003ch3\u003eThe Object Itself\u003c\/h3\u003e\n\u003cp\u003eThis is an original screenprint, meaning there is only one. It is mounted on a found wooden board salvaged from the local community, a material choice that is as considered as any ink or colour decision. The board carries its own history, its own imperfections, its own texture. It mirrors the honesty of the art it holds. The depth of 70mm gives the piece a powerful, sculptural presence on the wall.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 695 x 955mm, 70mm depth\u003c\/p\u003e\n\u003cp\u003eThis piece is signed on both the front and the back, and comes with a certificate of approval. It is original artwork, one of a kind.\u003c\/p\u003e\n\u003ch3\u003eWhy This Piece Matters\u003c\/h3\u003e\n\u003cp\u003eWriters Block represents the moment Oli Fowler stopped performing perfection and started making work that felt alive again. It is a defiant rejection of the boxes people use to categorise artists, leaning fully into the idea that being present in the studio, reacting honestly to ink on paper, is the most truthful thing a printmaker can do. You are not buying a reproduction of a feeling. You are buying the feeling itself, pulled by hand, layered in ink, fixed in time.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56597851931010,"sku":"OLI-282","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8627.jpg?v=1777464025"},{"product_id":"etcha-sketcha-original-artwork","title":"Etcha Sketcha - Original Artwork","description":"\u003ch3\u003eEtcha Sketcha — Original Artwork\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eIf it's fun, I want some.\u003c\/em\u003e It's not just a line of text blazing across the bottom of this piece — it's a manifesto. A declaration. The entire reason this work exists.\u003c\/p\u003e\n\u003cp\u003eAfter years of pushing screen printing toward a state of technical perfection, I hit a wall. The work was flawless. Clean. Precise. And completely dead. It looked like something a computer had spat out, not something a human had made with their hands and their gut. So I stopped. I walked away from the sanitised precision of the digital process and chose to embrace what I now call \u003cstrong\u003ethe beauty of the mess.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhat you're looking at is the result of that radical shift. A riot of fluorescent hot pink, teal, yellow and blue — explosive, layered, alive. Handmade positives. Raw physical intuition. No safety net. The flowers that dominate the composition are my constant — a single aesthetic thread running through the chaos, grounding the energy without taming it. Look closely and you can feel the layers colliding, the ink making its own decisions, the hand-pulled line doing exactly what a hand-pulled line should do: something a machine never could.\u003c\/p\u003e\n\u003cp\u003eThe left edge tears open into a frenzy of colour — greens, reds, fragments of previous pulls bleeding through. That's not accident, that's honesty. That's the studio speaking. The bold, graphic flowers rise out of it with a kind of joyful defiance, their white petals ringed in yellow haloes, their dark teal forms stacked and layered with a density that rewards every second you spend in front of it.\u003c\/p\u003e\n\u003cp\u003eThis is \u003cstrong\u003eoriginal artwork, 2026.\u003c\/strong\u003e There is no edition. There is no other one. It is presented in a \u003cstrong\u003ehandmade float mount oak cladded frame\u003c\/strong\u003e — salvaged, tactile, material history built right into the piece. The frame alone is an object worth owning. Together they are something else entirely.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: 695 x 955mm, 70mm depth.\u003c\/strong\u003e This is a large, commanding, room-defining work. It arrives signed on the front and the back, and comes with a certificate of authenticity.\u003c\/p\u003e\n\u003cp\u003eThis is not a series made for the market. It's a series made because making it felt like rediscovering childhood — that pure, uncomplicated joy of reacting to ink on paper with no agenda other than the work itself. A master-level exploration of being present. Of refusing the boxes and labels. Of being a Jack of all trades and proud of every single one.\u003c\/p\u003e\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56598948577666,"sku":null,"price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8587.jpg?v=1777466936"},{"product_id":"where-is-the-fun-original-artwork","title":"Where Is The Fun? - Original Artwork","description":"\u003cp\u003e\u003cem\u003eWhere Is The Fun?\u003c\/em\u003e is exactly the question this original screenprint answers the moment you lay eyes on it. This is not a quiet piece. It hits you with a wall of fluorescent hot pink, electric cyan, acid yellow and deep violet — a chromatic riot that crackles with the energy of someone who has completely and joyfully lost control, on purpose.\u003c\/p\u003e\n\n\u003ch3\u003eThe Story Behind The Work\u003c\/h3\u003e\n\n\u003cp\u003eAfter years of refining his screen printing practice to a state of technical near-perfection, Oli reached a crossroads. The work had become flawless. And that was the problem. Flawless had started to feel hollow — too close to a digital output, too far from a human hand. So he scrapped it. He walked away from the sanitised precision of the computer and walked back into the mess. Back to handmade positives. Back to raw physical intuition. Back to the visceral, honest energy of ink pulled by hand across a screen.\u003c\/p\u003e\n\n\u003cp\u003eThis radical shift is anchored by a personal manifesto: \u003cstrong\u003e\"If it's fun, I want some; if it's a chore, I don't want it anymore.\"\u003c\/strong\u003e That is not a slogan. That is the entire operating philosophy behind every layer you can see in this piece. The work prioritises the intrinsic joy of making over commercial safety, and you can feel it.\u003c\/p\u003e\n\n\u003ch3\u003eWhat You Are Looking At\u003c\/h3\u003e\n\n\u003cp\u003eBold, cartoonish flowers burst upward from the picture plane, their outlined petals stacked and layered in pass after pass of ink. Behind them, the manifesto text repeats itself across the background — \u003cem\u003eIF IT'S FUN I WANT SOME\u003c\/em\u003e — rendered in chunky teal lettering that bleeds and overlaps through the dense, glorious texture of multiple print layers. The composition fizzes with a kind of childhood energy, the kind you stop letting yourself feel as an adult. This piece gives it back to you.\u003c\/p\u003e\n\n\u003cp\u003eThe flower is a constant thread through Oli's work right now — a singular aesthetic anchor running through the chaos, grounding the riot of colour and texture into something coherent without ever making it feel safe or predictable.\u003c\/p\u003e\n\n\u003ch3\u003eThe Object Itself\u003c\/h3\u003e\n\n\u003cp\u003eThis is a unique original. It is presented in a \u003cstrong\u003ehandmade oak cladded frame measuring 695 x 955mm with a 70mm depth\u003c\/strong\u003e — a substantial, commanding presence on any wall. The frame itself is crafted from found wooden board salvaged from the local community, which means the object carrying this work has its own material history, its own imperfections, its own story. That is entirely intentional. The frame and the print belong to the same honest, handmade world.\u003c\/p\u003e\n\n\u003cp\u003eThe work is \u003cstrong\u003esigned on both the front and the back\u003c\/strong\u003e and comes with a \u003cstrong\u003ecertificate of authenticity\u003c\/strong\u003e. It was made in 2026.\u003c\/p\u003e\n\n\u003ch3\u003eWhy This Matters\u003c\/h3\u003e\n\n\u003cp\u003eThis is not a print that fits neatly into a category. It is not fine art in the stuffy sense, not street art in the obvious sense, not pop art in the nostalgic sense. It is all of those things and none of them. It is the work of someone who has consciously rejected the boxes artists get put in and leaned hard into being a \u003cem\u003eJack of all trades\u003c\/em\u003e — present in the moment, reacting honestly to ink on paper, chasing creative happiness as the only metric that actually counts.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56599247192450,"sku":"OLI-283","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8591.jpg?v=1777467666"},{"product_id":"a-long-long-time-ago-original-artwork","title":"A long Long Time Ago.. - Original Artwork","description":"\u003cp\u003e\u003cstrong\u003eA Long Long Time Ago..\u003c\/strong\u003e is a one-of-a-kind original screenprint that arrives at the end of a deliberate creative revolution. For years, the practice behind this work was driven by a relentless pursuit of technical perfection — screens aligned to the millimetre, colours mixed to exact formulas, registration so tight it could have been mistaken for a machine. And that was precisely the problem. The work started to feel like it had been made by one.\u003c\/p\u003e\n\n\u003cp\u003eThe decision to tear all of that down was not made lightly, but it was made honestly. Returning to handmade positives, raw instinct and the kind of messy, joyful studio energy that most artists spend their careers trying to eliminate, this piece was born from a new manifesto: \u003cem\u003eif it is fun, I want some; if it is a chore, I do not want it anymore.\u003c\/em\u003e That philosophy is visible in every single layer you look at here.\u003c\/p\u003e\n\n\u003cp\u003eLook at those flowers. Five bold blooms burst from the surface in pinks, whites and reds, their petals loose and confident, their dot-filled centres carrying that unmistakable electricity of something drawn by hand and pulled through a screen with genuine feeling. The background is a collision of deep purples, scorched oranges, fluorescent magentas and moody blues — layered, dense and alive in a way that a digital print simply cannot replicate. Texture is everywhere. Lines dance across the composition. The ink does what ink wants to do, and rather than fighting it, it has been celebrated.\u003c\/p\u003e\n\n\u003cp\u003eThe flower itself is used here as a deliberate constraint — a recurring motif that creates just enough structure to let everything else explode freely around it. It is the anchor in the chaos. It is the reason the energy holds together rather than flying apart.\u003c\/p\u003e\n\n\u003cp\u003eThis original is mounted onto a found wooden board salvaged from the local community, giving the piece a physical history before it even reaches your wall. It arrives presented in a \u003cstrong\u003ehandmade oak cladded float mount frame\u003c\/strong\u003e, \u003cstrong\u003esigned on both the front and the back\u003c\/strong\u003e, and comes complete with a \u003cstrong\u003ecertificate of authenticity\u003c\/strong\u003e. This is not a print run. This is a single, unrepeatable object made at the intersection of craft, instinct and a long-lost sense of childhood curiosity.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56599251321218,"sku":"OLI-284","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8556.jpg?v=1777468266"},{"product_id":"let-down-original-artwork","title":"Let Down - Original Artwork","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is what a creative crisis looks like in ink.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAfter years of chasing perfect registration, the work started feeling sterile. Too controlled. More digital output than handmade art. The computer got turned off. Handmade positives came back. Raw intuition took over.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLetdown is what happened next.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFluorescent stripes, yellow, pink, green, orange, layered so thick the background hums. There is a glitch to it. The kind of fuzzy, fractured quality you get from an old TV set losing signal, something familiar but slightly wrong, slightly alive. A riotous bouquet of flowers erupts out of that static, blue, purple and white, each bloom edged in hot yellow-gold.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAcross this whole collection, the making was the art itself. The mindset, the return to childhood curiosity, the decision to stop controlling and start reacting. These works are the result of that explosion. Letdown is where it began.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMounted on a found wooden board salvaged from the local community, something carrying its own history before the first layer of ink went down. Handmade birch float mount frame, 566x773mm, 30mm depth. Signed front and back. Certificate of authenticity included.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56599658234242,"sku":"OLI-285","price":3000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8515.jpg?v=1777474333"},{"product_id":"on-a-plate-for-two-original-artwork","title":"On A Plate For Two - Original Artwork","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFluorescent yellow burning through the base. Hot pink detonating at the top. Deep teal and navy flowers crashing into each other across the surface.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAcross this whole collection, it was never about showing you a perfect piece of artwork. The making of it was the art itself. The mindset required to get there, the deliberate return to something childlike, the computer turned off and the hands back on the screen. These works are the result of that explosion, and On a Plate for Two carries every bit of that energy in its surface.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe flowers here are bold and graphic, white petals ringed with hot pink, stacked and layered in a way that feels chaotic and completely intentional at the same time. Stems push downward in rich cobalt and deep green. The background fragments into smashed blocks of orange, red and blazing yellow beneath them. There is movement in this piece. There is joy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMounted on a found wooden board from the local community. Handmade birch float mount frame, 566x773mm, 30mm depth. Signed front and back. Certificate of authenticity included.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56599955472770,"sku":"OLI-286","price":3000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8537.jpg?v=1777475483"},{"product_id":"ring-a-roses-original-artwork","title":"Ring A Roses - Original Artwork","description":"\u003cp\u003e\u003cstrong\u003eRing A Roses\u003c\/strong\u003e is a one-of-a-kind original screenprint and a direct product of creative rebellion. For years, the pursuit of technical perfection drove every decision in the studio. Screen printing pushed to its absolute mechanical limits. Flawless registration. Total control. And then, somewhere at that supposed summit, the soul quietly left the building. The prints looked perfect and felt like nothing. That realisation was the beginning of everything you see here.\u003c\/p\u003e\n\n\u003cp\u003eThis piece belongs to a body of work built on a single, vital manifesto: \u003cem\u003eif it's fun, I want some; if it's a chore, I don't want it anymore.\u003c\/em\u003e It sounds simple. It was actually a survival strategy. A month of working in total secret, no briefs, no audience, no commercial pressure. Just ink, instinct, and the raw energy of the studio. The result was a week where years of pent-up creativity detonated all at once.\u003c\/p\u003e\n\n\u003cp\u003eLook at what that explosion looks like. A deep, buzzing teal floods the entire surface, layered with the repeated mantra \u003cem\u003eIF IT'S FUN I WANT SOME\u003c\/em\u003e printed in a lighter tone, wrapping the composition like wallpaper pulled straight from the subconscious. Five bold, graphic flowers burst forward from dense green foliage, each one outlined in hot orange with white petals, purple dot details, and blazing crimson centres. The colours collide and bleed. The registration shifts. The layers sit on top of each other with beautiful, deliberate imperfection. At the base, a terracotta pot drips with raw, hatched orange ink, sitting in a pool of colour that refuses to stay tidy. Across the bottom, bold white type anchors the whole piece: \u003cstrong\u003eIF IT'S FUN I WANT SOME.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is what happens when you step away from the screen and back to handmade positives, physical intuition, and the honest friction of the hand-pulled process. The flower motif runs through the entire series as a grounding constant, a single constraint that paradoxically unlocked complete freedom. The work is mounted onto a found wooden board with its own history and imperfections, because the materials matter as much as the image.\u003c\/p\u003e\n\n\u003cp\u003ePresented in a \u003cstrong\u003ehandmade oak cladded float mount frame, 695 x 955mm with a 70mm depth\u003c\/strong\u003e, this piece is signed on both the front and the back and comes with a certificate of authenticity. The frame is every bit as considered as the print itself, clean, natural oak floating against the deep black mount, letting the work breathe and dominate the wall.\u003c\/p\u003e\n\n\u003cp\u003eThis is not a print that sits quietly. It fills a room with noise, colour, and joy. It is the opposite of the sanitised, the symmetrical, and the safe. It is a celebration of the mistake, the visceral line, and the pure pleasure of being present in the moment of making. No two originals from this series are the same. This one will never exist again.\u003c\/p\u003e\n\n\u003cp\u003eWho is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.\u003c\/p\u003e","brand":"OLI FOWLER ART","offers":[{"title":"Default Title","offer_id":56600225120642,"sku":"OLI-287","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/files\/IMG_8564.jpg?v=1777477758"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0079\/5620\/1525\/collections\/IMG_8505.jpg?v=1778250239","url":"https:\/\/olifowler.com\/collections\/original-framed.oembed","provider":"OLI FOWLER ART","version":"1.0","type":"link"}