Frankenstein's monster gets a British makeover. This isn't your Hollywood horror — it's the creature next door, stitched together from Friday night conversations and weekend rebellion. The kind of monster who says "innit" and means it.
Three-layer hand-pulled screenprint that builds attitude layer by layer. First pass lays down the foundation — that unmistakable silhouette, bold and unapologetic. Second layer adds the ink wash, bleeding into the cotton fibres like thoughts spilling over. Final layer brings the contrast — gloss catching light where matt absorbs it, creating a surface that shifts as you move around it.
Halloween 2025 gave birth to this series, but it's not seasonal decoration. It's about the monsters we choose to be when nobody's watching. The parts of ourselves we stitch together from borrowed confidence and stolen moments. Frankenstein understood something about identity that Mary Shelley knew in 1818 and we're still learning now — you don't have to be what they made you.
Seven expressions of the same defiant energy. The B variants push contrast hard — stark, confrontational, no middle ground. The W versions soften the edges without losing the bite. Mono Pink strips it back to essentials, one colour doing all the work. Same attitude, different volumes.
Made in the Kimpton studio where Oli learned to break every screen printing rule properly. Cotton and paper mix stock that takes ink like it's been waiting for it. Each piece signed because this isn't mass production — it's one person's response to the world, pulled through mesh and onto paper.
The variants exist because rebellion doesn't look the same on everyone. Some days you need the full-contrast confrontation. Other days the softer approach cuts deeper. Mono Pink for when you want to whisper your defiance instead of shouting it.
This is for people who refuse neat categories. Who understand that being stitched together from different parts isn't a flaw — it's a feature. Who know that saying "innit" at the end of a statement isn't a question, it's a challenge. For collectors who want their walls to reflect their refusal to fit in boxes marked 'normal'.
