



"My fascination started in 1985, when I pulled a Pop Art book off my parents' shelf. I was captivated by those massive bold blocks of 60s and 70s colour.
When I asked my mum how it was made, she gave me a two-word answer that changed everything: screen printing.
I was hooked from that moment on, and all these years later, I'm still exploring how deep that rabbit hole goes."

Mid-nineties, the Goldsmiths era, Damien Hirst and Sarah Lucas in the air. I chose a textiles foundation because I thought you could only screenprint onto fabric. Shows how little I knew. Shows how much I already wanted it.
8 months work | New collection
























Eight months making new Originals feels like such a long time. That collection took a lot out of me. It also gave a lot back. That's usually how it works.
If you're here, you've found your way to the studio. Come in. Have a look around. I don't know what happens next and I'm not going to pretend otherwise.
What I know: I'm going to keep making work. Keep pushing until I'm just about falling over the edge. That's where the interesting stuff happens.
Glad you're here. Let's see where this goes.

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