Time to go home - Original artwork

A young girl walks home at dusk, her yellow floral dress vivid against the fading light. Short dark hair, trainers, a small black cat padding alongside her. The path beneath her feet explodes into rainbow stripes — orange, magenta, yellow, violet — like the world itself is celebrating the end of the day. Behind her, a row of terraced houses glows soft in the sunset, their windows catching the last amber light. A street lamp stands sentinel. Yellow flowers — daffodils maybe, or dandelions — punctuate the foreground. This is childhood. This is the walk you took every day after school, when the world felt both enormous and safe.

This is an original screenprint. Not part of an edition. A unique piece pulled once, by hand, in Hertfordshire. The kind of work that happens when twenty-six years of craft meets a single afternoon of spontaneous layering. Once it's sold, the screens are cleaned. The artwork can never be repeated.

The paper is heavyweight cotton rag, chosen for its tooth and absorbency. It holds the ink without buckling, even through multiple passes. The base layer is a warm wash — peachy orange fading into rose and violet — pulled through an open screen to create that sunset gradient. Then come the architectural elements: the houses, the lamp, the distant skyline, printed in semi-transparent yellows and pinks so they sit back in the atmospheric haze. The rainbow path is next — each stripe a separate pull, colours bleeding at the edges where the ink is still wet. The girl and her cat are printed last, using a fine mesh screen to capture the detail in her dress pattern and the negative space in her silhouette. The flowers are added with a loose, almost gestural layer — bright cadmium yellow with flecks of orange. Registration is deliberately imperfect. You can see where colours overlap and shift. That's the point.

There's something very British about this image. Terraced houses. Street lamps. The specific quality of light at five o'clock in spring. It draws on mid-century illustration — the flat graphic shapes, the bold colour — but filtered through a contemporary urban lens. Think Shirley Hughes meets street art. Nostalgia, but not sentimental. Honest.

Who is this print for? Collectors who understand that hand-pulled means unrepeatable. Once it's gone, it's gone. Own a piece of British screenprint craft.

A1 841 x 594mm