"Yesterday" 4 Colour Dither Screenprint

Twenty years of screenprinting, then I started breaking the rules. This is what happens when you take digital dithering — that grainy, pixelated way computers approximate photographs — and drag it back through hand-pulled screens.

Four colours. CMYK. The same process your computer uses, but done by hand in a village studio. Each dot placed deliberately. Each colour pulled separately. The grain isn't an accident — it's the point.

Dithering was born from limitation. Early computers couldn't handle smooth gradients, so they faked them with patterns of dots. Close up, you see the trick. Step back, your eye does the mixing. It's honest about what it is.

I've been looking at old Polaroids lately. That particular grain they get after years in drawers. The way memories look when you're not quite sure if you're remembering the moment or the photograph. This print sits in that space — between what was and how we remember it.

The technique creates something nostalgic that never existed. Digital artifacts made by hand. Contemporary printing that looks like it's been filtered through forty years of technology. It shouldn't work, but it does.

I learned traditional screenprinting first. Smooth gradients. Clean edges. Perfect registration. This is the opposite. Every dot visible. Every layer declaring itself. The process becomes part of the image.

Details:

• 4-colour CMYK dither screenprint
• B2 500 x 700mm
• 320gsm paper
• Open edition, signed
• Sold unframed

Shipping: Wrapped in acid-free tissue and shipped in a cardboard tube.

Care: Keep away from direct sunlight and moisture. Frame with UV-protective glass if you want it to last.

This is for people who understand that the best contemporary art doesn't ignore technology — it wrestles with it. For walls that can handle something honest about how we see now.